My work is a document of the duality between a sensitive constitution and a rural upbringing. The results are artworks whose primary concentration is within book arts, words and text, the book as a construct, and print – be it hand or machine printed.
I frequently use objects that live in everyday context through use or experience as the glyphs that communicate the exploration of the boundaries and intersections of memory, geographic location, and personal history.
I have taken, through collection, objects and stories, and built an ethnography which links my familial ephemera, the natural world, sexual experience, gender, queer representation and theory, and radical pedagogy.